“Theatre makes us more than we were. It’s as simple as that.”
“No director in the region can fill a proscenium arch quite like Fred Sternfeld.”
— Christine Howey, THE PLAIN DEALER
FRED STERNFELD is an award-winning stage director, with more than 100 shows to his credit. He has been the Artistic Director of theatres in Cleveland, Dallas and Seattle.
%22I'd rather be moved by the human story than impressed by empty spectacle.%22
Tony and Grammy Award-nominated Broadway producer of %22A Christmas Story: The Musical%22 and %22The Secret Garden%22
“Fred has tremendous training and background in musical theatre history and structure, story telling and character
development. He is a highly experienced director and his skills of storytelling are now being integrated into the Broadway industry through the authors of “The Secret Garden.” His notes have been taken to heart by the authors, resulting in a direct impact on the final script of the first-ever Broadway revival of this contemporary Tony-winning classic. I highly recommend Fred for any directorial or dramaturgical opportunities. You can’t get any better.”
former Artistic Director, Dobama Theatre, Cleveland Ohio
“Fred’s artistic vision is coupled with his attention to detail. He has an excellent eye for talent. I would recommend Fred Sternfeld to professional companies seeking an experienced, organized and highly professional director.”
Director, Chagrin Performing Arts Academy, former Artistic Director, Phoenix Theatre, Cleveland Theatre Company, Fairmount Center for the Arts
“Rarely have I worked with a director with such a talent for detail, clarity of purpose and professionalism. His combination of a great theatrical eye, calming and generous direction, absolute control of the myriad business details of managing a production, and his sheer love and passion for his work place him in the top of his class as a professional director.”
PhD, AEA Actor, Director of Theatre & Dance Dept., Cuyahoga Community College
“I have appeared on Broadway, Off-Broadway, in films and TV. I have worked with many famous directors, and to this day, I would rank Fred as one of the best directors I have ever worked for.”
Theatre Critic, for THE PLAIN DEALER and CLEVELAND SCENE MAGAZINE
“Fred is a consummate theater professional with a particular gift for exquisitely staging large, involved productions. But he also has the sensitivity and insight to attend to the small details of character development and human interactions that make his plays not only thoroughly entertaining, but memorable and often significant.”
Musings on the art and technique of stage directing.
The secret to large? Small.
The Risks and Rewards of the “Concept”
What were they thinking: On the wings of angels Bob Abelman | CJN Columnist “Another op’nin’ of another show.” ~ Lyric from “Kiss Me, Kate” Not long ago, the backstage of the Longacre Theatre on W. 48th St. in midtown Manhattan was cleared out after “Nerds” – a...
"Sometimes, this job takes you by surprise. Sometimes, you’re enjoying a pleasant, sunny Sunday afternoon and you walk into a theater to see a matinee rendition of a show you’ve seen done splendidly three other times. So expectations are not very high. And then,...
Considering that it was our inaugural year at Cleveland's Hathaway Brown Theatre Institute, a pre-professional summer training program, things went exceptionally smoothly. The kids swarmed in, far exceeding my expectations. I suspect that this was due, in part, to...
"It takes guts to stage West Side Story...big challenges, however, never faze director Fred Sternfeld, who moves large masses of people with the decisive precision of Alaric the Visigoth. And Sternfeld is the major domo of this largely successful production at the...
Listen to Jackie Gerber's interview of Fred Sternfeld on WCLV 104.9 about West Side Story at TrueNorth Cultural Arts from .
Life Is A Stage For Veteran Director, by Douglas J....
“It takes a long while for a director to cease thinking in terms of the result he desires and instead concentrate on discovering the source of energy in the actor from which the true impulse arises.”
— Peter Brook