About the play...
The Goldstein family of Philadelphia was upended when older brother Louis
decided to embrace Jewish Orthodoxy and move to Israel during the height
of the Vietnam War. Betrayed and bewildered, Louis' younger brother Douglas
built his life as an advocate for peace. More than two decades later,
Louis is a retired officer of the Israeli Army and Douglas is a senior
director with Amnesty International. Divided by deep familial wounds and
opposing religious and political beliefs, the brothers are forced to re-engage
when their respective sons make surprising life decisions of their own.
House, Divided is a timely and challenging exploration of faith, family
and politics - and our collective failure to consider other points of
view.
Reviews
of the Philadelphia production ...
"... the fully engaging HOUSE, DIVIDED is an important play: It handles
delicate arguments and forcefully presents all sides ... Ultimately, the
play succeeds in posing the question: What are we, on whatever side of
the conflict, handing down?"
H. Shapiro, Philadelphia Inquirer, May 30, 2008
"... Like so many American plays, Larry Loebell's drama is
about fathers, sons and brothers. And being an all-male play, it's also
about the very male issues of war and honor. Surprisingly evenhanded and
satisfyingly complex, the drama doesn't waste our time in pushing our
buttons, despite the number of hot-button topics it addresses. ... The
family arguments are natural and convincing, with passionate exasperation
becoming the dominant tone. ... To Loebell's enormous credit, he gives
every side of every argument its due ... "House, Divided" is
a solid debate between the forces of history and the forces of religion,
between politics and faith ..."
T. Zinman, Variety.com, May 30, 2008
"striking
... marvelously constructed ... In theater, storytelling has long been
used to build a sense of community and in House Loebell investigates
how stories can build bridges and heal divisions. ... Dramatically engaging
and intellectually stimulating, the play endorses neither the Israeli
nor Palestinian positions, and Loebell offers no easy resolutions to
the conflict. Instead House offers the simple proposition that families
and nations would benefit if they only listened to each other’s
stories."
J.C. Robb, Philadelphia Weekly, June 11, 2008
"There came a moment in Act II of Larry Loebell's disturbing
play, House, Divided, when the tension felt almost unbearable ... riveting
play ... two brothers and their two sons divided over issues so monumental
that they can only be described as "cosmic." ... Mr. Loebell
dissects global issues through the intimate lens of a warring family.
... The battle lines are drawn almost from the first moments of the
play, but the family revelations tumble out even more intensely in Act
II ... truly absorbing"
S. Friedman, The Bulletin, June 2, 2008
"...
this play goes way beyond a struggle among people of one ethnic or religious
minority ... Loebell’s deeply challenging play shows two primeval
characters... Both these Titan brothers see their Jewish identity in
dramatically different ways ... Loebell probes deep into those two souls
... Loebell takes his audience on a rollercoaster journey ... Several
times during the play, members of the audience gasped and made comments
... The play clearly was getting under the skin of a number of people
in the audience, demonstrating, literally, a house divided, hopefully
leading to many fruitful discussions about our actions as human beings
... Loebell presents an almost mathematical balance of different views
and ideologies in his play, but with a conversational, intuitive writing
style. ... House, Divided will most likely will shatter many perceptions
that people might have of Jewish people. I am convinced that this play
will be performed and studied not only in Israel and in the US, but
in many other countries ... "
H. Eger, All About Jewish Theatre, June 5, 2008
"...
riveting ... much to Loebell’s credit, the universal issue of
how political strife destroys families eclipses any argument over current
events in the Middle East. ... In this gripping production, Loebell’s
intelligent writing treats the issues with the importance they deserve
- by showing how they too often direct and distort the attitudes and
actions of an individual’s entire life. ... As an ensemble, the
entire cast delivers staggeringly rich performances. ... too many of
the new plays in this genre leave me feeling disappointed, because they
fail to integrate their contemporary issue with any universal theme
that will outlast current events. Here, I worried only about how the
eventual resolutions in the second half would live up to the intense,
complex moral challenges presented by act one. This was the most richly
integrated evening of political drama I’ve experienced in a very
long time."
J. Rutter, BroadStreetReview.com, June 3, 2008
"...[a]
remarkable new play ... This is theater that seems to have been lifted
from the front pages of Israeli and American newspapers, a microcosm
of the turmoil that never seems to end. The twist here is that both
sides are Jewish, on both sides of the ocean, on both sides of the age-old
conflict between Palestinians and Israelis. ... HOUSE, DIVIDED just
breaks your heart, because each of the brothers and each of the sons
is both right and wrong - in their beliefs, in their actions. And the
clever way Loebell has both their younger selves and their older selves
weave in and out, often as overlapping presences on the stage, is fascinating.
... Sometimes without a word, the characters can display frustration,
disapproval, anger and fear ... There are a few laughs along the way,
a few tears, and, as in real life, not a lot of answers for the Palestinian-Jewish
question, not even for the Jewish-Jewish question. ... HOUSE, DIVIDED
will make you think hard about your own beliefs."
B. Squires, Mainline Times, June 4, 2008
"...
dynamic ... as in the best playwriting, the emotional connections of
the audience toward the characters shift as they grow over the course
of the work. ... This play is enriched with little character-building
details. ... Mr. Loebell has offered up a fascinating and artfully crafted
play... a winner from the start."
B. Strauss, Chestnut Hill Local, June 5, 2008
"... a well-crafted play about a Jewish-American family
that has broken apart over religion, politics and the Jewish state ...
Loebell recognizes what other authors and playwrights have ignored:
that many Diaspora Jews, especially American leftists, feel differently
about Israel than others who tend to be religiously and/or politically
conservative. He dramatizes these differences in one household where
brothers have been antagonists for decades. ... Their hostility and
their competitive relationship add interesting layers. ... Loebell presents
people who say what many of us hear discussed among American Jews, in
colorful and colloquial language. He gets the nuances right. ..."
S. Cohen, BroadStreetReview.com, June 10, 2008
"...
we are presented with a collection of pairings both tangible and cerebral
(distanced brothers, sympathetic cousins, the US and Israel, secular
and religious, duty and conscience, youth and age) that twine together
in an intricate and beautiful way highlighting the complexity of these
pairings while decrying black and white absolutes. ... much like the
blurred edges of the set, which are reminiscent of smudged charcoal,
as the action continues, the scenes set in the past begin to bleed into
those in the present exhibiting unique and meaningful tableaus ... Regardless
of your personal history or views on the political and social issues,
you can understand and appreciate the universally human emotions, connections,
fears and desires that lie at the core..."
K. Suni, StageMagazineOnline.com, May 31, 2008
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Meet the playwright, cast and staff of House, Divided...
Luke Brett (Young Doug) is currently studying
theatre at Baldwin Wallace College. Credits: Mr. Collins in Pride
and Prejudice and Andy Paris, Jedadiah Schultz and Russel
Henderson in The Laramie Project at Fairmount
Performing Arts Conservatory; Bill Sykes in Oliver!,
Darry in The Outsiders, Gaston in Beauty
and the Beast, Mr. Bennet (understudy) in the North American
premiere of Miss Elizabeth Bennet, Doc in Tennessee
William's Confessional and the Gravedigger in
Hamlet at BW. He is beyond excited to be a
part of this project and would like to thank his priceless parents for
their neverending love and support.
Noah
Budin (Lou Goldstein) is a singer, songwriter, recording
artist, performer, actor, storyteller, educator and program director.
In addition to recording CDs of original music and performing concerts
around the country, Noah is the full-time Assistant Director of Activities
for Stone Gardens, the Assisted Living Residence at the Menorah Park Center
for Senior Living in Beachwood, OH where he facilitates, implements and
runs entertainment and educational programs for senior adults. Noah was
also a member of the cast of Cleveland’s longest running hit show
Tony ‘n’ Tina’s Wedding at
the Hanna Theater for over one and a half years and played the role of
Lazar Wolf in Cain Park’s highly acclaimed production of Fiddler
on the Roof. Recently, Noah has appeared as Bellomy in The
Fantasticks, Speed in The Odd Couple,
Ira in Brooklyn Boy, and Donny Dubrow in American
Buffalo. In the 1980’s and 90’s Noah was a member
of the Chicago based a capella music and comedy group “Four Guys
Standing Around Singing.” Noah has released two CDs of original
music, "Hallelujah Land: Songs of Faith and Freedom" and "Metaphor."
Check out his website www.noahbudin.com.
Eric
Thomas Fancher (Paul Goldstein) Credits: Steven in the
Ohio Premiere of The Texas Chainsaw Musical
at Blank Canvas Theatre; Frid in A Little Night Music
at FPAC; Cinderella’s Prince and the Wolf in Into the
Woods at Tri-C West; Charlie Brown in You’re
A Good Man, Charlie Brown and Luke in Altar
Boyz at TrueNorth Cultural Arts; Bill Calhoun/Lucentio in
Kiss Me, Kate at Solon Center for the Arts;
Frog in A Year With Frog and Toad, Patrick Dennis
in Mame, Kenickie in Grease
and Brad in The Rocky Horror Show at Cassidy
Theatre; Dakin in the Cleveland Premiere of The History Boys
and Peter in The Diary of Anne Frank at the
Beck Center For the Arts; Francis Bacon in the Regional Premiere, and
revival of William Shakespeare’s Land of the Dead,
Michael Cassio in Othello: The Moor
of Venice and the Prince of France in Love’s
Labour’s Lost with the Cleveland Shakespeare Festival.
He would like to thank Fred for the opportunity to work with such a talented
company of actors, as well as Sarah for being wonderful.
Dan
Folino (Oren Goldstein) After a two year residency at
the Barter Theatre in Virginia, Dan has come home to Cleveland. While
at Barter, he performed in eleven full scale productions, two mini productions
and two national tours. Some of his favorites include The
Blue Sky Boys (Galileo and The Red Baron), Where
Trouble Sleeps (adapted from the novel by Clide Edgerton
by Catherine Bush), The Full Monty (Jerry),
Civil War Voices (Joshua Lawrence Chamberlain)
and the world premier of Richard Alfierri's Revolutions
(Nick Greenburg). Cleveland audiences may remember him from Evil
Dead: The Musical (Ash), Hedwig and the Angry
Inch (Hedwig), Sweeney Todd (Sweeney),
Jekyll and Hyde (Jekyll/Hyde), Disney's Beauty
and the Beast (Beast), The History Boys
(Irwin), and Evita (Che). While not performing
in theatre, he fronts the band vanityCrash, who's next album will drop
this summer. You can catch Dan later this year in the regional premier
of Bloody, Bloody Andrew Jackson (Andrew Jackson)
at the Beck Center. Love to Crystal.
Charles Kartali (Doug
Goldstein) REGIONAL: American Stage, Aspen Theatre in the Park, BoarsHead,
Cleveland Play House, Cleveland Public Theatre, Dobama Theatre, Ensemble
Theatre, Mandel JCC, Shadowland, Steppenwolf Theatre Company and Syracuse
Stage, among others. RECENT CREDITS: Mr. Lockhart in The Seafarer
at Dobama, Bursar/Cardinal Barberini in Galileo
at the Cleveland Play House, The Old Man in A Christmas Story
at Syracuse Stage and Vet in The Book of Grace
at Cleveland Public Theatre. SELECT CLEVELAND CREDITS: The Man in Bill
W. and Dr. Bob, The Old Man in A Christmas Story,
Christopher Trumbo in Trumbo (with Robert Vaughn)
and Mitch Albom in Tuesdays With Morrie at Cleveland
Play House; Shmuel Berger in Pangs of the Messiah
and Eric Weiss in Brooklyn Boy at the Mandel
Jewish Community Center; Victor in The Price
and Johnny in Frankie and Johnny in the Clair de Lune
at Ensemble Theatre; Herr Gottfried Swetts in A Bright Room
Called Day at Cleveland Public Theatre and Ross in The
Goat or, Who is Sylvia? and Chas in The Trestle
at Pope Lick Creek at Dobama Theatre. FILM & TELEVISION:
High Spirits and Lost Subs. ASIDES: Part-time
Lecturer, Case Western Reserve University; Company Member, Generous Company;
Finalist Judge, Dorothy Silver Playwriting Competition (2001-present);
Guest Artist, WordBRIDGE Playwrights Lab (1996-present); Fusion Fest,
CPH (2006-11); Artistic Associate, Ensemble Theatre (2002-03) and Victory
Gardens Readers Theatre. AFFILIATIONS: Actors Equity Association, Screen
Actors Guild and American Federation of Television and Radio Artists.
Larry Loebell (Playwright) is a Philadelphia playwright,
screen writer, dramaturg, and teacher. His most recent play, The
Shanghai Kaddish, has had readings at NJ Rep in Long Branch,
new Jersey, at Azuka Theater in Philadelphia and as part of the Id Theater
development project in NYC. His previous play, House, Divided
was nominated for a “Best New Play” Barrymore Award after
its premiere production at InterAct Theater Company. His other produced
full-length plays include Girl Science, which
will premiere at Arcadia University Theater, La Tempestad, which premiered
Off-Off Broadway at the OHIO THTR in New York, produced by The Resonance
Ensemble, The Ballad of John Wesley Reed, which
was produced by Theatre Catalyst in Philadelphia, and Pride of the Lion.
Published full length plays include La Tempestad
in the anthology Playing With Canons: Explosive New Works from Literature
by America’s Indie Playwrights, NYT Books, Girl Science, by IndieTheaterNow,
and Pride of the Lion, published by Playscripts.com. Published short plays
in regular production include Angie and Arnie Sanguine,
But Who’s Counting, and Just
Before the War Between the Plates, all published by Playscripts.Com.
Monologues and scenes from his plays have been published by Applause Books,
Smith and Krauss Books, and Playscripts. He has been awarded four Pennsylvania
Council on the Arts Fellowships in Playwriting, an EST/Sloan Science Foundation
grant for his play Girl Science, and he was awarded a new play commission
for House, Divided from the National Council
for Jewish Culture. He has written film documentaries on historical and
scientific subjects, and has also written (and received Emmy recognition)
for work on the children’s television show Rugrats. He is the writer
of a biographical play about Thomas Paine, which had its world première
during Paine’s 272nd birthday celebration in 2009 in his home town
of Thetford, England. Since 2006, he has written and seasonally revised
Living News, a living-newspaper-style play which performs four times daily
during the school year as part of the permanent exhibit at the National
Constitution Center. He also wrote the monologues spoken by the signers
of the Constitution which National Constitution Center visitors can hear
on their iPod tour of Signers Hall. Larry teaches playwriting and dramaturgy
at Arcadia University in Glenside, PA, and film history at University
of the Arts where he is an Adjunct Full Professor.
Jacqi Loewy (Stage Directions/Newscaster) is on
the full-time faculty and Director of Theatre at Notre Dame College. Acting
and/or directing credits include The Cleveland Play House, Cleveland Public
Theatre, Playhouse Square, Kenley Players, Ensemble, Dobama, True North,
Solon Center for the Arts, Chagrin Valley Little Theatre, Weathervane,
Charenton, Mercury Sumer Stock, The Eldred Theatre at CASE and (many moons
ago) Broadway. You may have seen her locally in Always, Patsy
Cline (Hanna Theatre), Shear Madness
(Allen Theatre), Safety (Dobama), Mame
(Mercury), Six Degrees of Separation, A Day in the Death of
Joe Egg (Charenton) or South Pacific
and Man of La Mancha for the late, great John
Kenley. Jacqi has recently completed a commissioned play, Legally
Addicted, to begin touring for Fairmount Center for the
Arts. Her play Ten Cents A Dance was produced
by True North. She is also responsible for the production of Both
Sides of the Family and Mr. Lewis Rules: Stories
from the Juvenile Justice System. An active (and longtime)
member of SAG, AFTRA and AEA, Jacqi is represented by The Talent Group
and has appeared in numerous commercials and feature films, most notably
The Clearing with Robert Redford and Helen
Mirren. She is grateful for a life filled with work she loves, including
Interplay and Fred Sternfeld!
Faye Sholiton (Producer) In 2005, Faye Sholiton
chaired “Halle-lujah” – a celebration of the history
of the JCC Halle Theatre, as the final curtain was descending. In 2011,
she founded Interplay to revive Jewish theatre in Cleveland. The company
stages engaging, entertaining works that explore the world through a Jewish
lens. As a playwright, she has developed her own work at the Cleveland
Play House since 1996; and at Dobama Theatre since 2009. Her full-length
plays have been read and performed more than 40 times throughout the U.S.,
and in London. She has received four Ohio Arts Council Individual Artist
grants and dozens of regional and national playwriting awards. Scenes
from The Interview, V-E Day, All Things Being Equal,
and Telling Lives appear in anthologies. She
writes extensively about theater and has served as dramaturg on many area
productions. Since 2009, she serves as Ohio Regional Representative to
the Dramatists Guild. Her work
was seen recently at Dobama (Fear of the Marketplace
and Telling Lives, both in workshop productions).
Her play A Brief History of Mah Jongg appears
in March at the Maltz Museum of Jewish Heritage. Visit www.fayesplays.com
for Interplay Jewish Theatre updates.
Fred Sternfeld (Director) is delighted to return to Interplay
Jewish Theatre after having directed their staged reading of Comparing
Books last fall. Fred most recently directed The
Fantasticks at TrueNorth Cultural Arts and The
Bluest Eye at Karamu House Theatre. Fred is widely represented
on Northeast Ohio stages through diverse projects, garnering numerous
honors and awards, including the award-winning productions of A
Little Night Music at Fairmount Performing Arts Conservatory,
Baby at TrueNorth Cultural Arts, Yellowman
at Karamu Performing Arts Theatre, Disney’s Beauty and
the Beast at Beck Center and Ragtime, the musical
for the Arts & Culture program at the Cleveland Jewish Community Center.
He has served as Artistic Director at Fairmount Performing Arts Conservatory,
Lakewood Little Theatre - Beck Center for the Arts and the Cleveland,
Seattle & Dallas Jewish Community Centers. Other selected credits:
Fiddler on the Roof, Oliver! & The
Sound of Music at Cain Park; Company,
Les Miserables: School Edition, Children
of Eden, Into the Woods, Joseph
and the Amazing Technicolor Dreamcoat, Eat (It's
Not About Food) and The Odd Couple
at FPAC; The Tale of the Allergist’s Wife
& The Trestle at Pope Lick Creek at Dobama
Theatre; A Shayna Maidel, Jolson and Company, Man of La Mancha,
Modern Orthodox, Rags, From Door to Door, South Pacific, The God of Isaac,
Beau Jest, Crossing Delancey, The Twilight of the Golds, The Immigrant
& Conversations With My Father for the Cleveland
JCC; Bad Seed at Ensemble Theatre; Amadeus
at Willoughby Fine Arts; Table Settings, Isn’t It Romantic,
The Diary of Anne Frank & Broadway Bound
at JCC Center Stage in Seattle; Peter Pan (1987 &
2008), On the Town, Of Mice and Men, La Cage aux Folles, Saturday
Night, Foxfire, Noises Off, Children of a Lesser God &
The Importance of Being Earnest at Beck Center;
Proof at GLTG and All My Sons
& Enter Laughing at the Dallas JCC. Upcoming:
Gruesome Playground Injuries for Ensemble Theatre
in April of 2012. For pictures and reviews for any of the shows listed
here you can go to this
link.
Luke
Wehner (Young Lou) most recently appeared as Henrik in
A Little Night Music at Fairmount Performing
Arts Conservatory. Previous credits include Sweeney in Sweeney
Todd: Student Edition, Roger in Rent,
Solyony in The Three Sisters, Hale in The
Crucible, Jack in Into the Woods,
and Abel in Children of Eden and various
roles in
Eat - It's Not About Food.
As director, Luke has collaborated with Olivia Fine on Jesus
Christ Superstar, and Playing in Sand
- an original piece re-imagining John Gardner's Grendel
for the stage. Luke would like to thank Anna Bradley, Sean Szaller, A,
B, and M. For Mom.
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